The bizarre Branding Of the us’s Many, Many Secret Societies

For all of their esoteric methods, the united states’s early secrets and techniques societies have been outstanding branding machines. they’d their own slogans, their very own fashions, and their own symbols and colors. They even had their own manufacturing trade that produced and bought all of this stuff for mass consumption.

“The secrets operate less for the concealing of knowledge than as a bonding mechanism for contributors,” write the authors of As Above, So beneath artwork of the American Fraternal Society, 1850-1930, a brand new book about the golden age of secret societies in the united states. These groups functioned no longer unlike street type or indie tune—by which secret societies have contemporary corollaries—by means of providing experiences cloaked in hierarchy and mystery, designed to bond participants collectively and change into their lives.

there were lithographs depicting dreamy allegories told through beehives (symbolizing collective work and hierarchy), skeletons (symbolizing mortality), and hands holding pink hearts (symbolizing charity), awash in Romantic colors, meant to be hung in members’ businesses as delicate advertising.

there were pricey silk costumes richly embroidered with snakes, all-seeing eyes, and jewels, to be worn right through ceremonies and in annual parades that were the hotel’s major public look. there were the banners and signs declaring mottos corresponding to friendship, love, and actuality. there have been papier-mâché props reminiscent of a ugly head of Goliath and a coffin containing a bust labeled “the dead guy.” There was a complete genre of mechanical goats, supposed to be ridden in stage ceremonies.

Friendship, Love and reality, 1874, Currier & Ives, new york, hand-coloured lithograph, Library of Congress Prints and photographs Division

The visible culture of those teams was complex and vivid, to assert the least. In As Above, So under, artwork collector Bruce Lee Webb and art historian Lynne Adele carry the veil on the mysterious visible culture of dozens upon dozens of various orders that sprang up within the 1800s and early 1900s. Webb is a longtime abnormal Fellow and arguably the most advantageous collector of artifacts and art from fraternal orders (Webb also runs the outsider art-targeted Webb Gallery in Waxahachie, Texas, together with his spouse, Julie), and the guide catalogs his trove.

David Byrne, himself a collector of those objects, wrote the foreword. “was once there another america in the back of the the united states that we knew?” Byrne wonders in his introduction, describing Webb’s collection as “a crack within the wall” where “some paraphernalia used to be being secreted from the secret america.”

because there’s no real historical account or documentation of those societies, it’s easy to omit the best way they formed American lifestyles. however they as soon as boomed across the usa, first in the years after the Civil warfare, and later as westward enlargement populated the American West. by the late 1800s, there have been 70,000 completely different hotels unfold across the united states of america, the authors write. They fascinated by raising money for charity, growing business networks, and strengthening fellowship among contributors (some additionally had an unsavory legacy of discrimination, whether or not based on gender, religion, or race). All had an uncanny talent for developing problematic regalia, signage, and aesthetic tradition that helped attract new individuals—irrespective of how “secret” their actions in reality had been.

“It used to be branding,” says Webb when I ask if that definition matches. “a lot of the designs were copied and just modified rather within the catalogs the companies would produce.”

The tradition of fraternal orders necessitated an entire manufacturing business. They produced intricate catalogs and marketed their wares aggressively. In as a minimum one case, the founders of a brand new fraternal order started an organization to provide items to new accommodations, a suave industry adaptation. during the Civil war, when demand dipped, Webb says some factories selling lodge tools merely switched over to selling defense force provides as a substitute. When participants got here again from the struggle, the lodge catalogs reappeared. eventually, the trade collapsed in the mid-twentieth century. today, few of these corporations exist—those that do make graduation caps and gowns, fezzes, or uniforms for college bands.

both Webb and Adele say that there’s been a resurgence of hobby in fraternal orders, although. “It’s more or less anti-expertise, as a result of you can’t use technology to make any person a Mason or an strange Fellow,” says Webb. Byrne writes that he’s “green with envy” of the golden age. In his foreword, he sums up each the abnormal visible tradition and sociogram of this era of yankee historical past: “are you able to imagine me suggesting to my native financial institution supervisor that he and that i put on some freaky outfits, and that he will have to grasp the pretend sword and i’ll cling the group of workers with the snake on it?”

 

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All-Seeing Eye of Deity, hand-coloured magic lantern slide, Freemasons, 1890–1900, Webb assortment

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Friendship, Love and truth, 1874, Currier & Ives, new york, hand-coloured lithograph, Library of Congress Prints and pictures Division

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From Darkness to gentle, 1908, M.W. Hazen Publishing Co., big apple, chromolithograph, 26 inches via 20 inches, Webb assortment

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George Lauterer Co. atypical Fellows provide catalog, ca. 1900, Webb assortment

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George Washington as a Freemason, 1867, Strobridge & Co., Cincinnati, Ohio, chromolithograph, 24 inches by way of 19 inches, Webb collection

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unbiased Order of ordinary Fellows, Our Motto, 1883, J.W. Dorrington, artist; Buek & Lindner, lithographers, ny, chromolithograph, 26 inches by way of 21 inches, Webb assortment

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Jacob’s imaginative and prescient, hand-coloured magic lantern slide, Freemasons, 1890–1900, Webb assortment

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Masonic Scottish rite painting, ca. 1880–1890, unknown artist, from a southern Wisconsin lodge, oil paint on stretched linen with wooden border, 50 inches by way of 50 inches, Webb collection

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odd Fellows banners, ca. Eighteen Nineties, unknown maker, oil paint on silk with brass trim and tassels, 28 inches by means of 20 inches, Webb assortment

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ordinary Fellows heart-in-hand workforce, ca. Nineties, polychrome timber, 10 inches by means of 4 inches via 2 inches on 52-inch rod, Webb collection

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extraordinary Fellows initiatory degree banner, Eighteen Eighties, unknown maker, oil paint on silk, 28 inches by using 18 inches, Webb collection

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certainly one of many sorts of mechanical goats offered in the DeMoulin Bros. & Co. Woodmen of the world supplies Catalog #three

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Pair of atypical Fellows axes, 1870s, unidentified artist, carved timber with painted heart-in-hand decoration, each 28 inches by using 8 inches by using 1 inch

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the place Hideous things Slither and Climb, hand-colored magic lantern slide, Knights of Pythias, 1890–1900, Webb assortment

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