It’s the roughly story that would force any person with a elegant script languishing on their onerous power to an appointment with the nearest ledge: comedian, actor, and writer Jon Glaser received a series greenlit based totally entirely on an off-the-cuff joke.

Granted, the joke used to be made on Late evening With Jimmy Fallon, and Glaser himself has been a staple of just about the whole lot you’ve been laughing at for the earlier few years, from Parks & game to within Amy Schumer to Trainwreck to his own adult Swim collection Delocated, however nonetheless. He showed up in a neon hoodie and Coors gentle sweatpants—simply to amuse himself, he explains—and when requested about the ensemble answered that he used to be moving on from Delocated to his latest sequence, Neon Joe: Werewolf Hunter.

This, in fact, was not an actual exhibit, unless Glaser’s grownup Swim colleagues determined to call his bluff. “it is superior that a place like grownup Swim exists,” Glaser tells CoCreate. “I imply, I had historical past with them and simply did a exhibit, however still . . . to move on a chat express and make an arbitrary funny story and then have them be like: ‘whats up, may that be a show?’ and that i’m like, ‘Um, yeah sure!”

cut to prior this week, as the actual Neon Joe: Werewolf Hunter premiers on grownup Swim, introducing the arena to Glaser’s neon clad, probably Cajun (more on that later), one-eyed lycanthropic nightmare. but how exactly does one start to construct a exhibit around a goof?

“There used to be fairly actually nothing,” says Glaser. “It stemmed from zero. There was no character. There used to be no show. It was once all . . . ’Now what?’ It used to be a enjoyable problem.” If nothing else, Glaser as a minimum knew how the first episode would begin, with a callback to an extraordinarily explicit Delocated comic story. “For me, it did start with Paul Rudd. I straight away concept I may at least put that within the script and see if grownup Swim preferred it. So there have been a few issues I might latch onto.”

Neon Joe, which is written through Glaser alongside marvel Showzen and the heart, She Holler creators John Lee and Vernon Chatman, was once then pieced together from whatever ideas the trio discovered “stupid and peculiar and interesting.” when they settled on a new England B&B as the point of interest for the sequence (a mixture of Glaser’s reluctance to do a NY city-set show in addition to funds and shuttle concerns) the remaining grew from there.

“So we had the town, we had the environment, and that kind of naturally makes you think, ‘almost certainly quite a few bizarre people live in these towns . . .’ so there were just various ideas that snowballed from there,” says Glaser. “so far as Neon Joe it used to be just i needed to appear super different from how I usually appear, the claw marks appeared kind of silly and enjoyable, the eyepatch appeared good and dumb and gave the impression cool . . . the voice, I want to do one thing that sounded weird and totally different. There’s now not a number of rhyme or motive to the selections beyond just make it weird and engaging.”

Ah, yes. The voice. Neon Joe speaks in a hybrid drawl that’s one part Cajun, one part Alabama redneck, and plenty of elements made up. “There used to be a shaggy dog story in regards to the accent,” he says. “We have been capturing this big team scene in a gymnasium with a number of the people from town, and probably the most extras, she was once in her seventies, a truly candy outdated woman, mentioned, ‘I simply love your accent. It’s so spot on . . . whatever it’s.’ For me, that sums it up. I don’t be aware of what it’s either, but it sounds funny. And that was an identical pondering in the back of why I did Fallon and placing that outfit on was to do something silly to amuse myself.”

although Glaser has years of expertise on either side of the comedy world (he began early on as a creator with the Dana Carvey convey and Late evening with Conan O’Brien), the whole strategy of how Neon Joe went from conception to air has left him with a skewed sense of how it’s all imagined to work.

“That’s how you’re making a tv show,” he says. “You get on a talk convey to promote your different television express, and you are making a funny story. And then you get to make a tv express. That’s how it works.”

We determined to place this off-the-cuff ingenious process to the take a look at. inspect the video above to peer Glaser create brand new displays out of things we discovered around the quick company office. Head’s up, adult Swim . . .