30 years ago, ‘Hackers’ and ‘The Net’ predicted the possibilities—and horrors—of internet life
Doctor Who ‘The Well’ review: Signing makes you feel heard
‘The Rehearsal’ Season 2 will make you think differently about plane crashes—and standing up to your boss
Doctor Who ‘The Robot Revolution’ review: Meet Belinda Chandra
100 Years of ‘The Great Gatsby’: Where to Celebrate the Iconic Novel’s Centennial
‘The White Lotus’ star Aimee Lou Wood’s smile is inspiring to fans—and a dangerous TikTok trend
‘The truth is even more bizarre than you think’: The Hawk Tuah girl is getting her own documentary
Cava will expand to 4 new cities as it bucks the struggling retail trend: ‘The demise of the dining room is greatly exaggerated’
Why, 25 years later, ‘The Sims’ is more popular than ever
Oscar hopeful ‘The Brutalist’ used AI during production
‘The Stringer’ investigates who really took one of the most iconic photos ever
‘The funniest turn of events ever’: China’s RedNote tops the Apple App Store as the TikTok ban looms
‘The smallest amount of power a person can go mad with’: The Muppet History fan page controversy, explained
The Rogue Prince of Persia gets a big update with ‘The Second Act’
Why ‘the father of rock ‘n’ roll’ barely got paid
Midjourney is creating Donald Trump pictures when asked for images of ‘the president of the United States’
‘Her’ isn’t the movie you should watch to learn about AI companions. It’s ‘The Stepford Wives’
Wall Street wants second mortgages expanded for ‘the next big U.S. stimulus.’ Is that wise?
‘The Fall Guy’ is now streaming after just 17 days in theaters. Are summer movies in trouble?
OpenAI didn’t intend to copy Scarlett Johansson’s voice, ‘The Washington Post’ reports
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This $12 billion high speed rail will connect Las Vegas and Los Angeles and lay ‘the foundation for a new industry’
Why AT&T turned its new ad into a reunion for ‘The Office’
Taylor Swift’s ‘The Tortured Poets Department’ may have leaked—but it’s already breaking records
Did superhero fatigue sink ‘The Marvels’ box office?
Why ‘The Marvels’ can’t solve the Marvel Studios brand problem