Why Pandora is not Panicked About Its 20% Royalty charge Hike

A 20% elevate in artist royalties means even thinner margins for the internet radio station. happily, the company has a plan B.

December 17, 2015

Pandora just isn’t extremely joyful. In a a lot-expected ruling, the three-decide Copyright Royalty Board (CRB) ruled as of late that internet radio broadcasters will have to pay 20% more in royalties to copyright holders and artists. the brand new rates are another hurdle in the firm’s quest for profitability. however thankfully for Pandora, the corporate has been planning for this all alongside.

beginning subsequent yr, each track streamed on Pandora will cost the company $0.0017. at present, the company can pay $zero.0014 per stream on its free, ad-supported provider (and $zero.0023 for songs streamed to paying premium users). Pandora was once pushing for its per-stream price to drop to $0.0011, whereas the tune business—represented on this explicit struggle through SoundExchange—used to be gunning for a rise to $zero.0025. The CRB made up our minds to satisfy the parties midway.

“this can be a balanced charge that we are able to work with and grow from,” Pandora CEO Brian McAndrews said in a observation. “the new rate structure will allow persisted funding by way of Pandora to power ahead a thriving and vibrant future for song.”

In other phrases, the speed hike is unassuming enough that it doesn’t bury Pandora alive. in the meantime, the corporate has some dramatic adjustments within the works for 2016, because it starts to plot the next phase of its decade-outdated industry.

today’s ruling is the latest milestone in a protracted struggle Pandora has been fighting for years over the huge chunk of its earnings the company pays in royalties to copyright holders. After a failed attempt to have the charges adjusted by way of Congress in 2013, Pandora has been expecting today’s ruling to research how much money per flow it would be required to pay copyright holders over the subsequent five years.

the company’s campaign for decrease royalty rates used to be not best unsuccessful, however resulted in a temporary PR black eye, thanks to a rhetorical backlash from excessive-profile artists like the surviving participants of purple Floyd, who claimed that Pandora was once trying to unfairly minimize artists’ pay.

on the coronary heart of the web radio royalties debate is a striking imbalance: web radio suppliers like Pandora are required to pay royalties to the artists who perform songs, in addition to the composers and publishers of those songs. conventional radio firms do not pay performance royalties (while they do pay publishers and songwriters). Pandora argues that it is unfair for them to pay additional royalties that traditional radio does now not must pay. Some artists’ advocates, alternatively, are principally pronouncing, “Yeah, it can be tousled that you pay they usually do not. traditional radio will have to need to pay performance royalties too!”

For Pandora, the problem is not just about fairness (despite the fact that that indubitably makes for a compelling speaking level), but moderately a core business problem: regardless of accumulating eighty million users and continually growing its income, the corporate has struggled to show a revenue. Its single biggest rate, by way of some distance, is the licensing costs it can pay for the track it streams. With nowadays’s ruling, that drawback will get even more challenging.

Pandora is well privy to its economic crisis and has been plotting its future in this case. whereas it tries to iron out the royalties issue, the corporate has been bolting on new potential streams of earnings. earlier this year, in an an increasing number of eyebrow-elevating series of strikes, Pandora offered song analytics agency subsequent big Sound, concert ticket company TicketFly, and, most just lately, the belongings of Rdio, a longtime direct competitor to Spotify. It also recently launched a partnership with the hit podcast “Serial,” its first foray into podcasting, which has the potential so as to add listener hours (and advert earnings) without the hefty licensing prices that come with streaming track.

while the on-demand streaming song industry is not far more economically sound than internet radio, at least subscription services like Spotify and Apple song are ready to barter their tune licensing charges in an instant with labels, slightly than depend on a panel of judges to decide the destiny of their final analysis. that is not to claim that these adjustments shall be a silver bullet for Pandora: The on-demand streaming house is a notoriously tough industry with a whole lot of large, or in any other case very neatly-based competitors. however hey, if transforming itself into the latest Spotify competitor would not woo shareholders, Pandora can try promoting extra live performance tickets and discovering new easy methods to monetize mountains of music information that nobody else has. lovely smart.

A 12 months from now, Pandora is also paying out significantly more in artist royalties, however the service as we understand it is likely to look very, very totally different.

associated: Taylor Swift, Apple music, And Streaming’s giant, Enduring downside

[Photo: © Richard Levine/Demotix/Corbis]

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